Sprouting bulbs in a pot: ruddy and greenish and smelling of earth and growth, and a label that entices with the promise of Delft Blue, evokes the headier smell of hyacinths in bloom.
It starts in the pit of the stomach and wells up in the throat, branches to grasp and echo in the back teeth on both sides, closely cups the head and comes pinching and pulling together at the crown. A forceps birth: I name her anxiety.
Ahead of me is a tall young woman in a dark, shaggy coat and unseasonable white cotton trousers. Her thin, fast-moving legs twinkle, white lines in the grey light, hup-two, hup-two, compelling the eye as she recedes into the distance.
Ten buses, one behind the other, each identical in form, swaying slowly forward in identical motion, each seething with people like parasites in a swollen body. They loom for a moment, weird and alienating giant creatures, then blend back into the shimmering weave of normality.
Sloshing and chugging and shoulder to shoulder, chock-a-block, eyeless. There is no light, not even in the puddles, which today are dirty and opaque and harbour no reflections.
Why does the arrow draw me, scurrying, late and in the rain? I think because it’s all too easy to feel trapped and enclosed, and anything that points - points to somewhere else.
Piled, teetering and scattering across the road are all these huge chopped-off lengths of blue and yellow plastic piping, with a fallen outer circle of red plastic barriers - toys for the giants who come out to play in the city at night.